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[\/et_pb_text][et_pb_text quote_border_weight=”0px” quote_border_color=”rgba(0,0,0,0)” content_last_edited=”off|phone” admin_label=”Intro” _builder_version=”4.27.5″ _module_preset=”05b6b6ce-9585-4ec1-94da-cd0f40f4dfa1″ text_font=”||||||||” link_font=”|100|||on|||#000000|” link_text_color=”#000000″ quote_font=”Playfair Display||on||||||” quote_text_color=”#404040″ quote_line_height=”1.2em” header_font=”|700|||||||” header_2_font=”|700|||||||” header_2_text_color=”#000000″ header_3_font=”|700|||||||” header_3_text_color=”#000000″ header_4_letter_spacing=”12px” header_5_font=”|300|||||||” header_5_text_color=”#bfbfbf” header_5_letter_spacing=”12px” header_6_font=”|700|||||||” header_6_letter_spacing=”12px” background_color=”#ed9ee3″ background_image=”https:\/\/roman3d.com\/wp-content\/uploads\/2024\/04\/roman3d-accueil-encart-icones-01-2.png” parallax=”on” module_alignment=”left” custom_margin_tablet=”” custom_margin_phone=”” custom_margin_last_edited=”on|tablet” custom_padding=”20px|20px|5px|20px|false|false” quote_font_size_tablet=”” quote_font_size_phone=”” quote_font_size_last_edited=”on|desktop” saved_tabs=”all” locked=”off” global_colors_info=”{}”]<\/p>\n
\n\nThe ROMAN3D demoreel<\/strong> is not just a simple project gallery. <\/span>It tells a visual journey<\/strong> built over several years, spanning professional projects<\/strong>, collaborations<\/strong> in photography<\/strong>, personal experiments<\/strong> and more narrative worlds<\/strong>.<\/span><\/p>\n<\/blockquote>\n<\/blockquote>\n
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Since August 4, 2022<\/strong>, I\u2019d been set on the idea of offering you a 3D CGI demoreel. This final approved video was completed on May 8, 2026<\/strong>, early in the evening.<\/p>\n
This project required a total of 356 hours<\/strong> of work (renders included) spread over 50 days<\/strong>. Producing it in 3D CGI<\/strong> meant adapting to\u2014and fully learning\u2014Blender<\/strong>, especially in terms of value for money, copyright compliance, and respecting clients\u2019 brand image.<\/p>\n
<\/strong><\/strong>Only one generative AI element is present : the texture of the back wall in the theatre scene, created at the time using a European image bank that had developed its own ethical AI model for artist compensation. I kept this element so as not to distort the original project.<\/p>\n
It\u2019s important to note that \u201cthe logo animation in shot 1<\/strong>\u201d, originally created in Maya<\/strong> for the teaser video, \u201cwas not included in this 356-hour total<\/strong>\u201d.<\/p>\n
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Project development<\/h2>\n
[\/et_pb_text][dsm_image_carousel gallery_ids=”9336,9338,9340,9342″ slide_to_show=”1″ _builder_version=”4.27.5″ _module_preset=”default” global_colors_info=”{}”][\/dsm_image_carousel][et_pb_text quote_border_weight=”0px” quote_border_color=”rgba(0,0,0,0)” content_last_edited=”off|phone” admin_label=”Texte” _builder_version=”4.27.5″ text_font=”||||||||” link_font=”|100|||on|||#000000|” quote_font=”Playfair Display||on||||||” quote_text_color=”#404040″ quote_line_height=”1.2em” header_font=”|700|||||||” header_2_font=”|700|||||||” header_2_text_color=”#000000″ header_3_font=”|700|||||||” header_3_text_color=”#000000″ header_4_letter_spacing=”12px” header_5_font=”|300|||||||” header_5_text_color=”#bfbfbf” header_5_letter_spacing=”12px” header_6_font=”|700|||||||” header_6_letter_spacing=”12px” background_color=”RGBA(0,0,0,0)” module_alignment=”left” custom_margin_tablet=”” custom_margin_phone=”” custom_margin_last_edited=”on|tablet” custom_padding=”|20px||20px|false|false” quote_font_size_tablet=”” quote_font_size_phone=”” quote_font_size_last_edited=”on|desktop” saved_tabs=”all” locked=”off” global_colors_info=”{}”]<\/p>\n
Like any project of this scale, the thinking phase<\/strong> was no small task.<\/p>\n
The challenge was to chain together shots with different worlds<\/strong>, to surprise<\/strong> while keeping an recognizable style<\/strong> and highlighting<\/strong> past projects.<\/p>\n
Unlike a so-called \u201cclassic<\/strong>\u201d demoreel, which simply shows past projects and broken-down elements, this demo reel is conceived as a project in its own right\u2014a demonstration of the craft<\/strong> and the computing power<\/strong> required to achieve it.<\/p>\n
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From storyboard to 3D<\/h3>\n
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The work done for this demo reel was structured around four crucial production pillars :<\/p>\n
\n
- Animation<\/strong><\/li>\n
- VFX<\/strong> (Special Effects)<\/li>\n
- Lighting & Rendering<\/strong> (Lighting & Renders)<\/li>\n
- Compositing<\/strong> (Compositing)<\/li>\n<\/ul>\n
\u26a0\ufe0f In producing the demo reel, I\u2019m not mentioning modeling<\/strong> or textures<\/strong> here, because many elements or scenes were reused<\/strong> and\/or reworked<\/strong> (made previously or purchased via 3D asset libraries).<\/p>\n
It\u2019s impossible, in so little time, to make this kind of project without reusing existing elements. The biggest challenge was integrating these different assets, which led to plenty of headaches during the build. <\/strong><\/p>\n
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Shot-by-shot breakdown<\/h2>\n
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Shot 1 : the ROMAN3D logo<\/h3>\n
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Clean and simple, it serves as a <\/span>visual entry point<\/strong>, a <\/span>brand signature<\/strong> <\/span>and a <\/span>\u201cstarting marker\u201d<\/strong> <\/span>before diving into <\/span>more complex scenes<\/strong>.<\/p>\n
This shot, while <\/span>short<\/strong>, shows <\/span>only the ROMAN3D logo<\/strong>, with <\/span>no website mention<\/strong>, to keep a <\/span>pure, minimalist brand image<\/strong>.<\/p>\n
The logo was <\/span>animated in Autodesk Maya<\/strong> <\/span>to create a <\/span>more dynamic version of the logo<\/strong> <\/span>than the previous one, created for my <\/span>first demoreel after graduating from 3D school<\/strong>: Old demoreel<\/a>. This shot shows a <\/span>set of white dots<\/strong> <\/span>representing all the projects<\/strong> <\/span>that combine to create the <\/span>new 3D-animated logo<\/strong>. These dots come together <\/span>gradually<\/strong>, like a <\/span>metaphor for the synthesis<\/strong> <\/span>of my <\/span>past and present work<\/strong> <\/span>into a single <\/span>visual identity<\/strong>.<\/p>\n
The <\/span>original teaser video<\/strong> <\/span>used <\/span>music<\/strong> <\/span>whose <\/span>rights were limited in duration<\/strong>, which prevented me from <\/span>reusing it as-is<\/strong> <\/span>for this <\/span>new project<\/strong>: Demoreel teaser<\/a>.<\/p>\n
Following <\/span>many exchanges with the rights holders<\/strong> <\/span>\u2014 who ultimately <\/span>removed the music from their platform<\/strong> <\/span>\u2014 I had to <\/span>re-edit the video<\/strong> <\/span>with a <\/span>new soundtrack<\/strong>, chosen <\/span>specifically<\/strong> <\/span>to match the <\/span>rhythm<\/strong> <\/span>and the aesthetic<\/strong> <\/span>of this <\/span>demoreel<\/strong>.<\/p>\n
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Shot 2 : the book<\/h3>\n
[\/et_pb_text][et_pb_text quote_border_weight=”0px” quote_border_color=”rgba(0,0,0,0)” content_last_edited=”off|phone” admin_label=”Texte” _builder_version=”4.27.5″ text_font=”||||||||” link_font=”|100|||on|||#000000|” quote_font=”Playfair Display||on||||||” quote_text_color=”#404040″ quote_line_height=”1.2em” header_font=”|700|||||||” header_2_font=”|700|||||||” header_2_text_color=”#000000″ header_3_font=”|700|||||||” header_3_text_color=”#000000″ header_4_letter_spacing=”12px” header_5_font=”|300|||||||” header_5_text_color=”#bfbfbf” header_5_letter_spacing=”12px” header_6_font=”|700|||||||” header_6_letter_spacing=”12px” background_color=”RGBA(0,0,0,0)” module_alignment=”left” custom_margin_tablet=”” custom_margin_phone=”” custom_margin_last_edited=”on|tablet” custom_padding=”|20px||20px|false|false” quote_font_size_tablet=”” quote_font_size_phone=”” quote_font_size_last_edited=”on|desktop” saved_tabs=”all” locked=”off” global_colors_info=”{}”]<\/p>\n
The term <\/span>\u201cROMAN3D\u201d<\/strong> <\/span>aims to highlight the common word <\/span>\u201croman\u201d<\/strong> <\/span>(a fiction novel), beyond the common confusion with my first name<\/strong>.<\/p>\n
It also helps create a <\/span>link between the real world and the digital world<\/strong>, reminding us that <\/span>3D<\/strong> <\/span>doesn\u2019t live only on screen, but also in <\/span>tangible media<\/strong>.<\/p>\n
Each <\/span>project<\/strong> <\/span>can then be seen as a <\/span>chapter of this book<\/strong>, and thecollection of scenes<\/strong> <\/span>as a <\/span>series of stories<\/strong> <\/span>that make it up.<\/p>\n
By entering this <\/span>shot<\/strong>, you\u2019re stepping into a <\/span>story<\/strong>, both <\/span>visual and narrative<\/strong>.<\/p>\n
The hologram<\/strong> effect, meanwhile, was no small task :<\/p>\n
It\u2019s a nod to the 3D drone video project \u201cDrone Day\u201d<\/strong> (link below), reused here as a central visual element.<\/p>\n
It was <\/span>generated directly in Blender<\/strong>, then <\/span>enhanced in post-production \/ compositing<\/strong> <\/span>to blend better into the <\/span>scene<\/strong> <\/span>and strengthen that <\/span>sense of connection between the real and the virtual<\/strong>.<\/p>\n
The <\/span>building<\/strong>, meanwhile, has a <\/span>style that often sits in-between<\/strong> <\/span>(medieval-ish, abstract), to draw a <\/span>parallel<\/strong> <\/span>with the idea that architecture<\/strong> <\/span>and <\/span>3D<\/strong> <\/span>are compatible, and that you can <\/span>travel through time<\/strong> <\/span>thanks to this <\/span>technology<\/strong>, by <\/span>layering styles, eras and realities<\/strong>.<\/p>\n
[\/et_pb_text][et_pb_text quote_border_weight=”0px” quote_border_color=”rgba(0,0,0,0)” content_last_edited=”off|phone” admin_label=”Texte” _builder_version=”4.27.5″ text_font=”||||||||” link_font=”|100|||on|||#000000|” quote_font=”Playfair Display||on||||||” quote_text_color=”#404040″ quote_line_height=”1.2em” header_font=”|700|||||||” header_2_font=”|700|||||||” header_2_text_color=”#000000″ header_3_font=”|700|||||||” header_3_text_color=”#000000″ header_4_letter_spacing=”12px” header_5_font=”|300|||||||” header_5_text_color=”#bfbfbf” header_5_letter_spacing=”12px” header_6_font=”|700|||||||” header_6_letter_spacing=”12px” background_color=”RGBA(0,0,0,0)” module_alignment=”left” custom_margin=”50px||50px||false|false” custom_margin_tablet=”” custom_margin_phone=”” custom_margin_last_edited=”on|tablet” custom_padding=”|20px|0px|20px|false|false” link_option_url=”https:\/\/roman3d.com\/creativity\/la-compagnie-des-types-louches-the-hypochondriac\/” quote_font_size_tablet=”” quote_font_size_phone=”” quote_font_size_last_edited=”on|desktop” saved_tabs=”all” locked=”off” global_colors_info=”{}”]<\/p>\n
https:\/\/roman3d.com\/en\/projet\/drone-day\/<\/p>\n
[\/et_pb_text][et_pb_text quote_border_weight=”0px” quote_border_color=”rgba(0,0,0,0)” admin_label=”Titre H3″ _builder_version=”4.27.5″ text_font=”||||||||” link_font=”|100|||on|||#000000|” quote_font=”Playfair Display||on||||||” quote_text_color=”#404040″ quote_line_height=”1.2em” header_font=”|700|||||||” header_2_font=”|700|||||||” header_2_text_color=”#000000″ header_3_font=”|700|||||||” header_3_text_color=”#000000″ header_4_letter_spacing=”12px” header_5_font=”|300|||||||” header_5_text_color=”#bfbfbf” header_5_letter_spacing=”12px” header_6_font=”|700|||||||” header_6_letter_spacing=”12px” module_alignment=”left” custom_margin=”40px||40px||false|false” custom_margin_tablet=”” custom_margin_phone=”” custom_margin_last_edited=”on|phone” custom_padding=”||||false|false” quote_font_size_tablet=”” quote_font_size_phone=”” quote_font_size_last_edited=”on|desktop” header_font_last_edited=”off|desktop” saved_tabs=”all” locked=”off” global_colors_info=”{}”]<\/p>\n
Shot 3 : Groupe Iagona kiosks<\/h3>\n
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\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nShot 3 highlights the <\/span>interactive kiosks from Groupe Iagona : MK Evo<\/a>, MK Post<\/a>, MK Med<\/a>, S5<\/a><\/strong>.<\/p>\n
During my <\/span>time at Groupe Iagona<\/strong>, I <\/span>remodeled, cleaned up and reworked more than 35 3D models<\/strong>, originally created in <\/span>SolidWorks<\/strong> <\/span>by <\/span>engineers<\/strong>, to turn them into <\/span>optimized quad-based 3D scenes<\/strong>, intended for the <\/span>Groupe Iagona Sketchfab account<\/strong> <\/span>and for <\/span>real-time<\/strong>.<\/p>\n
For <\/span>most of these kiosks<\/strong>, I had to start again from <\/span>technical drawings<\/strong> <\/span>or <\/span>